After the mad whirlwind of opening weekend, I feel compelled to go boldly forth and sing the praises of this production. (But don't worry, I won't actually sing.) Instead, I've put together a helpful list of 5 reasons to go see The Drowsy Chaperone:
#1 - An amazingly talented cast of students. You may have seen them standing in line at Starbucks, at the grocery store, or even on other San Diego theatre stages. So come, meet them. Because beyond thier talent, they're really wonderful people.
#2 - Incredible spectacle. Fabulous costumes, a brilliant set design, and beautiful lighting by SDSU students and alumni. And let's not forget the stunning orchestra.
#3 - It's an inexpensive way to see a Broadway show. Part of the vibrant San Diego theatre scene can be found right here on the campus of SDSU, where you can see a show for less than half of what it would cost at most other local theaters. And who doesn't like to save money?
#4 - It's a show with something for everyone. You don't need to like musicals to enjoy this show. It's funny. Period.
#5 - It's a moment to relax and have fun. Escapism. Come find that moment when you discover that you're having a great time and have forgotten about the paper that you have to write, the pressing deadline at work, or whatever stress you have in your life right now.
So there you have it. Five excellent reasons. But, if after all these reasons, you're still not quite convinced, then check out this review by The Times of San Diego:
http://timesofsandiego.com/arts/2016/03/07/the-funny-and-fabulous-drowsy-chaperone-at-sdsu/
Bottom-line: This show is a Must-See!
But hurry; there are only 4 more performances. Buy your tickets online (see the "Get Tickets" tab above) or at the Don Powell box office. And please, bring some spare change to donate to the American Cancer Society after the show.
SDSU School of Theatre, Television & Film
Directed by Stephen Brotebeck
Mar 4 - 13 on the Don Powell Stage
Tuesday, March 8, 2016
Friday, March 4, 2016
The Gift of Music: the Vince Meades Collection
It all started with
a box of movie sheet music at a garage sale.
Coupled with a childhood love of movies and the desire to start a
collection that that would one day be a gift that would benefit scholars and
researchers, and you have the origins of the Vince Meades Popular American
Sheet Music Collection.
Mr. Meades |
Donated to San
Diego State University’s Library in 1998 by Mr. Meades, the Vince Meades Collection
has grown to include over 250,000 pieces of sheet music, 15,000 long-playing
vinyl records, and 990 books on the entertainment industry. All genres and themes are represented within
the collection, with the sheet music portion of the collection dating back to
the end of the Civil War. While popular
music from movies is the strongest category within the collection, it also
includes music from television and radio, as well as music from Broadway
musicals.
Not only is the collection a valuable resource for
researching the history and
development of American musical theatre and 20th century musical films;
it also serves as a record of American history.
In addition to providing a reflection of common emotions, values, and
experiences through popular song lyrics, the sheet music also features cover
artwork that is illustrative of its respective time period.
The Vince Meades
Popular American Sheet Music Collection offers a sampling of the work
created during the Roaring Twenties by many legendary writers and artists –
which includes numerous beloved jazz and musical theatre standards. Currently, a portion of this collection is
displayed in the 24/7 exhibit case to focus on Broadway’s busiest decade
and the legacy of late 1920s musicals.
Collaborating with
Special Collections and Arts Alive, the School of Theatre, Television, and Film
and the entire production team of The Drowsy Chaperone are thrilled to
highlight this important collection!
For more about our
collaboration, visit:
Thursday, March 3, 2016
Meet our Cast: Erin Vanderhyde
… in the role of Trix…
Hi Erin! Thanks for taking the time out of
your busy schedule to talk with us. Tell us about past SDSU productions
you’ve been involved in or any other San Diego-area projects that we might know
you from.
I was in Dr. Faustus Lights the Lights last semester!
The following two weekends after Drowsy
closes I am in a fundraiser showcase called "We Are Young" which
raises money for scholarships for theatre performance emphasis students to
study abroad at SDSU. Come join us at either the Diversionary Theatre in North
Park, March 18-20th, or in SDSU’s Experimental Theatre, March
25-27.
So, what originally made you choose to participate in
musical theatre?
I was originally a music
major. However I have always loved musical theatre. When I was in 3rd grade my brother
came home with information on auditions for "The King and I". Ever
since then I've been interested in musical theatre. Officially, last semester I
joined the theatre department at SDSU, after spending many years in the music
department at Grossmont College and SDSU. Although I have spent a lot of time
studying classical (which I've never been too good at) I'm so excited to
submerge myself into the world of musical theatre.
What is one thing that you love about Drowsy?
I love most of the humor.
This is the type of musical that is for everyone. Even though I've sat and
watched the show multiple times I still laugh!
What are some unique challenges of your role?
Trix has to come in on an
airplane! Which is super cool. However, getting a plane on stage is a unique
challenge. I believe the audience is going to love how the set designer faced
this challenge.
What is one thing that audience members should know
before coming to see the show?
I would want the audience to
open themselves up to this musical that might be a little bit different
from the norm. Pay attention to The Man in the Chair who is
the realest person in the show! I feel like a lot of people can
relate to him.
Tuesday, March 1, 2016
Meet our Cast: Dallas Perry
…
in the role of George…
This past semester, I played Jack in Into the Woods. I also played the Brick's Pig/Dance Ensemble in Moonlight Amphitheater's Shrek: The Musical!
So, what originally made you choose to participate in musical theatre?
When
I was in kindergarten, I went on a field trip to see my first musical
production ever, Peter Pan with
Christian Youth Theater. This production inspired me to later join the same
theater company, CYT, at ten years old. I haven’t stopped since!
What is one thing that
you love about Drowsy?
The Drowsy Chaperone is all about fun! There
isn’t a dull moment in this show with the incredible music, sets, costumes, and
characters! There are always surprises around every corner, and the bigger
theme and storyline with the Man in Chair will surely touch the hearts of every
audience member.
What are some unique
challenges of your role?
For
me, it is a challenge to act as mature and old as my character is supposed
to be. I usually play younger and more naive roles, so it is an
awesome challenge to be able to experiment with a role that stretches my
acting ability, as well as grow in my tap dancing ability!
What is one thing that
audience members should know before coming to see the show?
When
the audience has in mind to see The
Drowsy Chaperone, I would say to keep an open mind, and let yourself delve
into the delicious world of this show. I would want them to pay keen attention
to the character growth of the Man in Chair, as well as the unique
"show-within-a-show” style. It is also important to note that each character
within the inner production is an actor from the twenties, and to examine
how the actors relate to their fellow actors on the Broadway stage.
Meet our Cast: Jacob Sloan
…
in the Ensemble and the role of the Superintendent…
Hi Jacob! Thanks
for taking the time out of your busy schedule to talk with us. Tell us
about past SDSU productions you’ve been involved in or any other San Diego-area
projects that we might know you from.
My past SDSU productions
include Les mis, Les mis, and Les mis.
Around the area, I have performed as Jack in a production of Into the Woods with the 413
project.
So,
what originally made you choose to participate in musical theatre?
I'm in musical theatre
because my sole purpose in life is to entertain people. My talents include
singing and acting, so musical theatre is the right choice for me.
What
is one thing that you love about Drowsy?
One thing I love about Drowsy is Randall.
What
are some unique challenges of your role?
My role of the
superintendent is challenging because I'm basically the person who takes people
deeper into the magic of the show. While the audience is into the story of The Drowsy Chaperone, I come in to
remind them that the Man in the Chair has a story as well.
What
is one thing that audience members should know before coming to see the show?
Before you come see the
show, just know that even though it's Prohibition you can still be drowsy!
Meet our Cast: Megan Mattix
… in the Ensemble…
Hi
Megan! Thanks for taking the time out of
your busy schedule to talk with us. Tell us about past SDSU productions
you’ve been involved in or any other San Diego-area projects that we might know
you from.
I am a transfer student from Grossmont College. While I was there I played Snoopy in You're a Good Man Charlie Brown, Cinderella in Cinderella: a New Pop Musical, Hyacinth in Scapin, Rachel in To Jillian on her 37th Birthday, and Constance in The Three Musketeers. This is my second semester here and my first SDSU show. As far as showcases I've only been involved in the Musical Theater performance class taught by Stephen Brotebeck and Rob Meffe.
So,
what originally made you choose to participate in musical theatre?
I always enjoyed singing and dancing. I used to be
in competition cheerleading, so the thrill of being on stage was something that
I lived for. Also, I attended a small high school, so the opportunities for
being involved were much greater. I took a leap and auditioned for my first
musical during freshman year of high school and I have been hooked ever since!
What
is one thing that you love about Drowsy?
The design elements are my favorite. I love what
they did with the set, costumes, and lighting. The colors are so vibrant and
the costumes have so much pizzazz! There is something about the glamour of the
1920s that just oozes excitement.
What
are some unique challenges of your role?
Having to create a backstory for myself even though
I have no lines. It is important to have an opinion of what my character
(ensemble) thinks and feels about the chaos around them even when they are just
quietly observing.
What
is one thing that audience members should know before coming to see the show?
Be prepared to laugh till your stomach hurts!
Meet our Cast: Courtney Kattengall
… in the role of the Drowsy Chaperone…
Hi Courtney!
Thanks for taking the time out of your busy schedule to talk with us.
Tell us about past SDSU productions you’ve been involved in or any other San
Diego-area projects that we might know you from.
As a MFA Musical Theatre
candidate, I performed the Witch in Into
the Woods, Pippi in The Great
American Trailer Park Musical and Eponine in Les Mis - concert.
So, what
originally made you choose to participate in musical theatre?
I enjoyed the sense of community I received from my new friends in drama
club. I always enjoyed singing, acting, and dancing and felt comfortable doing
so with others that enjoyed it as much as me.
What is one
thing that you love about Drowsy?
It's so funny. There's a joke on every page and the characters are so
loveable.
What are some
unique challenges of your role?
The most challenging part is playing an actress playing the Drowsy
Chaperone. Beatrice Stockwell, the actress playing Drowsy's name, was a force
to be reckoned with. She was a true diva. It's finding moments within the show
within the show to let glimmers of Beatrice out.
What is one
thing that audience members should know before coming to see the show?
It's a show for everybody! You don't have to know musical theatre to love and laugh at this show.
It's a show for everybody! You don't have to know musical theatre to love and laugh at this show.
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